AUTHOR SPOTLIGHT: S.E. Anderson

Hey, everyone! It’s time for another Author Spotlight, and I’m excited to feature one of my favorite indie authors, S.E. Anderson! She’s a fantastic sci-fi author, but she’s also a kickass graphic designer (seriously, look at her covers for my series), she’s studying to be a scientist, and… oh yeah, she also happens to be a fan of mine.

Anderson is one of the reasons I love being an indie author, and I’m excited to tell you guys all about her work! First, let’s have a chat with S.E. Anderson.

 

What was your inspiration behind the Starstruck series?

Back when I first started writing the series, it was a joint effort between me and one of my closest friends, Joanna. We wanted to write what we weren’t finding in the books available to us: a girl struggling with real life, but also science fiction that was fun and possibly even hilarious. She wanted to work on characters who lived so long they couldn’t remember where they started out; and I wanted to write an adventure serial about teleportation. The two ideas meshed perfectly!

In my experience, and I know I haven’t read the entirety of it, the science fiction genre can be pretty doom and gloom, and a lot of times, it’s a genre that takes itself far too seriously. How important to you was it for your series to not fall into that trap? How important is the humor in these books?

It’s essential for the series. The universe is a massively chaotic place; the only way through it is not to fight the chaos, but go along with it. Living life by that logic, I’ve been able to have the funnest, oddest experiences. For Sally, it’s on a much larger scale. She struggles with depression and anxiety, so it would be really easy for the series to get quite dark. And it will: some moments are harsh and painful. But it’s in those moments of pure, unadulterated absurdity that she grows.

Tell me a bit about your background as a scientist. How does being a scientist affect your writing? Do you get story ideas from your academic work?

I’m still just a student, but I know enough now to see where science fiction differs from science-fact. I love learning a new concept in lectures and thinking about how to integrate it into my books. It’s fun trying to work out warp drives or faster than light travel with friends! I definitely love to learn, and hints of things that really hit me are dotted throughout the series.

Character vs. plot: the seemingly endless debate over which is more important for a good story. Which side of that debate do you fall on, and how do you approach character when your protagonist grow from one book to the next?

Personally, I’ve read books that fall on either side of the wall: great stories with flat characters and boring plots with amazingly relatable people. But I think character is the most important element. If a book has amazing characters, they could be doing absolutely anything and I’d still read them. I’d read a whole book of Percy Jackson doing his dishes or Harry Potter trying to help Ron with taxes. At the end of the day, those characters are the ones that make you come back to the series.

In my opinion, a plot cannot be separate from characters. Everything (interesting) that happens is driven by choices. So good characters make for a gripping story, no matter what. And authors who treat their world as a character and build it up in the same way usually create something more visually impacting.

Sally is constantly growing through the series. My biggest struggle writing Starstruck(s) comes down to how Sally is going to change. What makes her mad, what drives her to aspire to do more? The upcoming book 4 will make her decide if she wants to take on responsibility or if she’s not ready yet. In the end, the series is Sally’s saga, how she changes from a shy, isolated, self-conscious girl to a strong woman ready to take on anything the universe throws at her. But she’s not there yet.

Are you a heavy plotter, or do you just let the story take you where it will?

The more I plot, the more I procrastinate. I have a premise, my characters, and they lead me along to find the plot as I write. Editing will change a lot of my first drafts!

On top of being an author and a scientist, you’re a graphic designer and a book reviewer. How do you manage all of those different hats, and how does each piece of the puzzle fit into the greater whole that is S.E. Anderson?

I shall answer this with two words, one sound: *pterodactyl scream*

Tell me about some of the other projects you’re working on. I know there’s one more book coming in the Starstruck series, and I think you’re working on a re-telling of The Wizard of Oz?

That’s right! Celestial, book four of Starstruck, is currently with my editor. Book five is being written off and on. My real focus over the next few months is to bring YELLOW (read sneak peek here) to life. The book follows Dora, an illegal clone of the current royal princess, who finds herself trapped on a mysterious planet in the Outer Zone after making a costly mistake. She makes allies with a girl with no memory, a droid with no personality, and a genetically modified soldier with no orders. Together they need to find the Technomage, a genius engineer who could potentially solve all their problems – if he can be trusted. It’s a story about identity, friendship, and taking risks.

What are some of your favorite books right now?

So many! Absolutely loves Atlas Fallen by Jessica Pierce. And Children of Blood and Bone – Phenomenal!
Now, let’s check out her books!

Starstruck (Starstruck #1)

In my experience, science fiction is a genre that takes itself far too seriously.Starstruck

Fortunately, Starstruck — S.E. Anderson’s debut novel — doesn’t have that issue. Don’t mistake: the stakes are high, both in Sally’s life and for the world at large, but this is a quirky tale that isn’t afraid to occasionally stop and take a moment to laugh at itself.

After all, Sally goes from a relatively dead-end life to one in which she’s knee-deep in aliens and trying to save the world. It’s an absurd concept, and the narrative not only acknowledges that absurdity, it embraces it. Sally is a great protagonist who is surrounded by equally remarkable characters. Zander is a treat, and Blayde was so much damn fun to read — very Faith Lehane-like — that I want much more of her going forward.

Most protagonists with Sally’s backstory spend the entire story feeling sorry for themselves, but she doesn’t fall into that trope. Instead, Anderson gives her remarkable agency, revealing layers of depth and bravery even Sally doesn’t realize she has, and it is viscerally satisfying to see how much Sally grows from the first page to the last.

In a way, the ending is a little bit of a head-scratcher, but a) that’s by design, and b) this is clearly the first in a series I have on good authority will be at least five books in length. And if the future volumes are anything like Starstruck, then sci-fi fans are in for a treat.

Anderson’s debut is a fun ride with more depth than it might appear on the surface. It’s not afraid to go for a laugh, but it also takes great care in making sure Sally is at the forefront of everything. She is a fantastic character, one I’m eager to accompany on future adventures.

Starstruck is one of the best books I read in 2017, and it is highly recommended.

Rating: *****

Buy Starstruck now!

 

Alienation (Starstruck #2)

Alienation, the follow-up to S.E. Anderson’s debut sci-fi romp Starstruck, is grander in scale and far more intense than its predecessor. Don’t worry, though; there are still 20623566_10213617375530787_675999032_oplenty of laughs to be had, and Anderson never loses sight of what drives Sally and what keeps her going in spite of… well, everything.

This is very much a fish-out-of-water story. I suppose Starstruck was, to a degree, but whereas the first book had a supporting character learning a new world in Zander, Alienation puts Sally through the proverbial wringer, plunking her on a foreign planet, separating her from Zander and Blayde, and… I’m not sure which winds up harder for her, the mental anguish or the physical pain.

Seriously, Sally goes through some stuff here.

But all the qualities that made Starstruck so great remain in Alienation. Sure, the fantastic world and strange alien species are cool, and it’s fascinating to see how the locals react to Sally as much as vice versa, but the strength of this series remains the humor and the heart. There’s a certain whimsy throughout much of this book, which makes the darker, heavier passages easier to navigate, and Sally’s continued growth is evident.

For all the change Sally endured from the beginning of Starstruck to the end, she grows even more here in Alienation. To see someone so anxious, so used to life being an absolute dumpster fire, seeing Sally stand up straight, ball up her fists, and pretty much say “Alright, enough of this crap” is as satisfying a journey as zooming through the cosmos.

Too much science fiction anymore is dark, gritty, and so damn focused on apocalyptic futures. That’s fine – there can be some great stories to come from that backdrop – but Anderson’s insistence on not falling into that trope is a large part of what makes Alienation every bit the excellent read Starstruck was.

Anderson is not afraid to go for a laugh, but she also takes great pains in crafting a memorable protagonist who’s easy to fall in love with. More than anything, Anderson proves that science fiction can not only be funny, but it can also have tremendous heart.

Rating: *****

Buy Alienation now!

 

Traveler (Starstruck #3)

Traveler, the third installment in S.E. Anderson’s Starstruck series, might not be as laugh-out-loud funny as its predecessors, but it is quite possibly the best, most well-rounded entry in the series to this point.38469649

A cross between Galaxy Quest and Clue, this latest has us join Sally, Zander, and Blayde as they appear on a rather large spaceship — one that winds up being not quite was it seems. In fact, very little is as it seems in this book, which in the hands of a less capable writer would be frustrating. But Anderson’s attention to character detail, and her ability to know when to let a moment breathe, make the journey worthwhile.

Though the outright laughs are not as plentiful in Traveler, there is still a whimsy to it all. The doom and gloom are doomier and gloomier than before, but Anderson never lets us forget how utterly ridiculous this all is. After all, Sally’s on a spaceship. There’s Star Trek fanfic. And a robot trying to do its best Billy Graham impression.

Yet it all works.

All three books in the series to this point have taken place in different locales, and Anderson is showing that she’s just as good at building multiple worlds as she is in crafting memorable characters. Her love for the genre is obvious, even in the moments when she lampoons it, and that’s just another piece of the puzzle that makes Traveler such a great read.

If you’re not in on this series yet, you really should be.

Rating: *****

Buy Traveler now!

 

In addition to the Starstruck series, be sure to catch S.E. Anderson’s work in several anthologies. Check out S.E. Anderson’s website, as well as her Amazon and Goodreads pages. Follow her on Facebook, Twitter, and Instagram, and be sure to check out her covers, too!

AUTHOR SPOTLIGHT: E.A. Copen

It’s been a while, but it’s time for another Author Spotlight! Today, I bring you all one of my favorite self-published urban fantasy authors, E.A. Copen. She is the author of the Judah Black series, as well as the Fairchild Chronicles, and she has even more projects coming in the next few months.

Let’s talk to E.A.

What was your inspiration behind writing the Judah Black series and its offshoot, Kiss of Vengeance?

They came from two very different places! When I started writing the Judah Black novels, I knew I wanted to have a heroine who was real. She’s got problems. Some are supernatural, bust most aren’t. Most importantly, I knew I wanted to write about a mom because too many stories just end when the female lead gets married or gets pregnant. Stories don’t have to end just because your heroine is a parent. I wanted to write about a mom who could still kick ass and somehow managed to raise a son in the process.

Kiss of Vengeance rose partly out of my frustrations as a writer (mundane things like writer’s block and deadlines), as well as something personal I was going through. I knew I wanted to explore the world of the fae, which Judah doesn’t interact with much, and to also tell a story from the other side of the law. While discussing something completely different with a friend of mine, he uttered the phrase “reluctant white knight” and the idea is sort of born from that.

You’re one of my favorite urban fantasy authors. What draws you to that particular genre, and – specifically in terms of the Judah Black series – what made you combine that genre with elements of other genres, such as mysteries?

Aw. Thank you.

Mostly, I started writing urban fantasy because I love to read it. I write the books I think I’d like to read. As an adult, I watched Supernatural and fell in love with the monster-of-the-week type story, but also with the writers’ ability to use the small plots to create a larger plot.

And they have elements of other genres too, like westerns and dystopia. Mainly that’s my own fandoms bleeding through. I love a good western, and dystopia is my favorite book genre to this day, aside from urban fantasy.

So many of my favorite characters anymore are female – Buffy Summers, Kate Beckett, Sydney Bristow, I could go on and on and on. What drove you to create Judah Black, and what stood out to you about her even from the day you first created her?

I wanted to write about a mom and it wouldn’t be far off to say I was inspired at least in part by my love of Dana Scully in X-Files who could be feminine while still being a force to be reckoned with. She had her career and she was very serious about it.

Judah’s a little different, though. She gets thrown into fighting things way outside of her weight class. Instead of upping her powers all the time so she can go kill all the baddies by herself, I give her a team. The people who love and support her throughout the series is really what makes her unique. Lots of heroines out there can defeat monsters and play the lone gunman. Judah’s strength comes from the people she has in her life.

Character vs. plot: the seemingly endless debate over which is more important for a good story. Which side of that debate do you fall on?

Character, definitely. There are probably hundreds of werewolf murder mysteries out there. What makes a reader stick around isn’t plot. Most plots have been done before. You stay for the characters. When a reader finds a character they connect with, it’s like magic. You’ve got to have someone to root for.

Are you a heavy plotter, or do you just let the story take you where it will?

The only plotting I ever do is a one- or two-sentence summary that names the protagonist, antagonist, and their goals. I used to try to outline, but I found that once I plotted everything all out, I lost interest in finishing. To me, once it’s down on paper it’s done. I like having the excitement of not knowing everything that’s going to happen.

Kiss of Vengeance takes place in the same universe as the Judah Black novels, but it has a completely different feel and sometimes feels like it’s an entirely different genre. How did that book come about, and what are your broader plans for this universe going forward?

Kiss of Vengeance is about finding who you are when your back’s against the wall and everything you’d normally use to define yourself is stripped away. When I was writing it, that’s sort of what I was going through in my personal life. I had to find a way to describe who I was without resorting to my go-to list of mother, wife, writer. Plus, I just love film noir and wanted to see if I could pull it off.

The universe can certainly expand. I’d like to do more Fairchild books, but it is a little harder to write Dal’s stories because he lives in a brutal criminal underworld. Because of some events that happen in upcoming books, I also opened up the possibility of doing another series in the same world set in Alaska and leaning heavily on Inuit mythology. There’s also a prequel novella and some prequel short stories I’m working on to eventually release. One day, I’d love to go back and explore all that happened during and before the Revelation. I hope I get that chance.

Without giving away too much, where do you see the Judah Black series going from here? I understand Playing With Fire’s coming sometime this fall?

Well, there’s always been something of a political sub-plot in the series. As the crimes get more publicity, regulations will get tighter. Eventually, that kind of treatment can only lead to one thing. That is, if the werewolves, fae, and vampires can figure out how to get along long enough to fight back. They are monsters, after all. They just can’t seem to get along. And of course, Judah can’t ever keep out of trouble. Whenever she sees a loose thread, she has to unravel it. It’s going to get her into even more hot water in the highest echelons of government, both on Earth and in the fae.

Playing with Fire is sort of the kick-off book for that. It’s the first glimpse I give my readers into how deep the rabbit hole goes. I’m hoping to have it out in October of this year.

What are some of your favorite books?

In no particular order, my current top 5 books would be:

Dangerous Ways by R.R. Virdi
The Handmaid’s Tale by Margaret Atwood
Turn Coat by Jim Butcher
River Marked by Patricia Briggs
The Alchemist by Paulo Coelho

Ask me again next week and I’ll have a new list. Books tend to rotate in and out of it depending on my mood. When someone asks me my favorite book, my answer is always “the one I’m currently reading.”

 

Beasts of BabylonIn addition to the Judah Black series and Kiss of Vengeance, Copen will have a new release on Aug. 1: Beasts of Babylon. This entirely new story is already up for pre-order on Amazon.

Gunslinger Anastasia Thorne won’t stay dead.

Ten years ago, monsters murdered Anastasia and her children. Now, she’s back to hunt down the monsters responsible. She knows their names, their faces, and even where they’re hiding.

There’s just one problem. No one in town believes her.

When the sheriff refuses to help, Anastasia strikes a deal with the notorious outlaw, Jesse Gallagher instead. The pair ride into the mountains in search of vengeance, but the hunters quickly become the hunted. With the sheriff hot on their trail, ghouls on their heels, and werewolves and skin stealing monsters in the mountains, Jesse and Anastasia quickly find out they’re outgunned and in for a long night.

It’s going to take more than silver bullets to put these monsters down.

 

Now let’s see what I think of Copen’s work so far.

Guilty by Association (Judah Black #1)

Three things I love:Guilty by Association

1) Kickass ladies;

2) Genre mash-ups; and

3) Stories that start off as one thing and end up being something else entirely.

Guilty by Association, E.A. Copen’s debut, checks all three of those boxes. Special Agent Judah Black, new to a middle-of-nowhere stretch of Texas stuffed to the gills with the supernatural, finds herself staring a classic whodunit in the face — only this time, the victim is a werewolf. Before long, though, the case turns into something much larger than even the victim, and the result is an entertaining, engrossing read.

Copen treats us to an entertaining cast of characters, and even though I’ve never been a particularly big fan of werewolves, a few of them wound up being personal favorites. Judah Black sometimes reads as a cross between Buffy Summers and Kate Beckett (two of my all-time favorite female ass-kickers), and I can already tell she’s a character who’s going to stick with me.

Part murder mystery, part urban fantasy, part conspiracy thriller, Guilty by Association does a masterful job of creating and laying the foundation for a rich, vibrant supernatural world. Even if the setting makes Sunnydale seem like a bustling metropolis, Copen has done a fantastic job of showing us just enough of the world to get us interested; I’m beyond glad that I already have the next two installments in my collection, and hope there will be even more down the line.

Books like this are why I will vehemently defend independently-published books. Indie authors are some of the most creative, most daring individuals I’ve met, and when they create stories like this, we’re all the better for it. To me, Judah Black is every bit the equal of, say, R.R. Virdi’s Vincent Graves, and I’m glad to count myself among one of Copen’s biggest fans going forward.

Okay, enough blabbing; I’ve got to read Blood Debt. If you haven’t read Guilty by Association yet, do yourself a favor and change that. I promise you won’t be disappointed.

Rating: *****

Blood Debt (Judah Black #2)

Blood DebtConsidering how much I loved Guilty by Association, despite my distaste for werewolves, I was chomping at the bit to read Blood Debt given my affinity for (…almost) all things vampires. And as I suspected, E.A. Copen’s second entry in the Judah Black series doesn’t disappoint, offering yet another action-packed mystery and enough character moments to add depth as well as bite.

Yes, that was totally intentional.

To my pleasant surprise, a fair number of players from the first book also appear in Blood Debt giving Judah’s admittedly small world a much larger feel. Even so, there are enough newcomers to keep things fresh, including magick wielder Mara and the mysterious vampire-but-not-really-sorta-kinda Abe. As much as I enjoy Judah as a protagonist, having interesting side characters along for the ride turns an entertaining read into a certified page-turner.

The side stories are plenty — almost too much so, as it felt like one of the side stories got dropped around midway through the book in favor of the main plot — but again, they help flesh out Judah’s character and world.

A common critique of the mystery genre (and a valid one) is that it often feels paint-by-numbers, that it hits all the typical notes without offering anything that would provide depth and/or resonance. Copen’s series doesn’t fall into this trap, and the result is a world that is simultaneously otherworldly and intimate. She’s knee-deep in a world of monsters, yet the reality of her life is so intimately personal that the scope never once overwhelms the reader.

Blood Debt was a fantastic follow-up to Guilty by Association, and Copen has quickly established herself as one of my favorite indie authors. I’m anxious to read Chasing Ghosts and hopeful that the wait for the series’ fourth installment is a short one.

Rating: *****

Chasing Ghosts (Judah Black #3)

Chasing GhostsIf Guilty by Association and Blood Debt, the first two novels in E.A. Copen’s Judah Black series, were worldbuilding affairs, the third book — Chasing Ghosts — puts all the puzzle pieces together in an emotionally fraught, highly intense adventure that wraps up the initial arc and sets up what promises to be an exciting future.

Everything that made Guilty and Blood fantastic novels is back for Chasing Ghosts; Copen is clearly growing and maturing as a storyteller, and she’s fine-tuned each of the characters’ voices. Judah is quintessentially herself, but she is so much more, as she progresses both on her own and with regards to several of the relationships she keeps.

Chasing Ghosts is, fair warning, an emotional gut punch. There are at least three occasions where this book practically moved me to tears, and there’s something viscerally satisfying about that. Yes, we often read to escape, but we also read to feel. Copen gets us to feel for several of the key players in this tale, while simultaneously taking us on a journey that twists and turns far more than I had anticipated.

The depth Copen has given not just Judah, but several of the other important characters, really helps flesh out Paint Rock — a world that, on its own, doesn’t really amount to much. Paint Rock makes Sunnydale seem like a bustling metropolis, but the reservation’s inhabitants more than make up for the lack of scenery.

I’m excited to see where this series goes from here, even though Chasing Ghosts would make a fitting end to a trilogy. Judah Black is one of my favorite characters, and Copen has established herself as one of my favorite independently-published authors. If TV shows like Buffy the Vampire Slayerand Supernatural tickle your fancy, then this is a series you should be reading.

And if not? Hell, read it anyway. Cause it’s really, really good.

Rating: *****

Kiss of Vengeance

Kiss of VengeanceKiss of Vengeance might take place in the same universe as E.A. Copen’s Judah Black novels, but it is a much different story. That’s not necessarily a bad thing, and the worldbuilding this short story offers alone is worth the price of admission. Fortunately, Copen gives us a solid story and memorable characters to go along with this.

First a caveat: there will be a few passages that might be uncomfortable for some readers. The violence is graphic and there are occasional moments and mentions of sexual violence, both against adults and children. Nothing explicit, but it exists, so it’s worth mentioning.

In short, this is a mafia revenge story with a supernatural flavor. Dal is an enforcer for a fae crime family in Boston, and he finds himself on one hell of a revenge kick after he finds his wife and daughter murdered. The rest unfolds like you would expect such a tale to unfold: lots of blood, lots of anger, lots of angst.

But Copen still manages to weave a satisfying tale, because the characters are what drive everything. Dal is very much a Frank Castle-like figure, and those allied with him and those opposing him are each memorable in their own rights. The characters (even a pleasant cameo from the Judah Black series) make this tale.

If you’ve read Copen’s Judah Black books, Kiss of Vengeance is a chance to revisit that universe and find something different. If you haven’t, this isn’t a bad place to start. It’s a short, quick read, and I’d like to see what comes next. Copen is quickly becoming one of my favorite indie authors, and this is another strong entry.

Rating: ****

All of Copen’s works are currently available on Amazon in paperback and Kindle formats; be sure to visit her Author Central page to pick up your copies. Also, be sure to check out the new audiobook version of Guilty by Association.

AUTHOR SPOTLIGHT: R.R. Virdi

It’s time for another Author Spotlight! Today, I bring to you Dragon Award-nominated urban fantasy indie author extraordinaire R.R. Virdi — who as of today has released his latest, the fantasy opus The Books of Winter: Dangerous Ways. It takes place in the same universe as his Grave Report novels, but it’s an entirely new tale that’s sure to be as intense and entertaining and delightful as everything else he has written.

About the Book:

dangerous-ways

Jonathan Hawthorne has lived over a century beholden to one rule: do not meddle in mortal affairs. He’s broken it twice. So when he crosses paths with Cassidy Winters, he’s forced to interfere again.

Strike three. And the third time’s not the charm.

Hawthorne is swept along as Cassidy slips through the cracks in reality.

And being hunted by bands of monsters doesn’t help.

To find the answers they need, they’ll have to play in a dangerous world. One where the odds and rules are stacked against them. They will have to navigate magical courts, queens and lords all while trying to keep Cassidy out of their scheming hands.

If they fail, she will end up a pawn in a plot that will consume them all.

Hawthorne will have to face the consequences of his past, and risk his future to ensure Cassidy can have one of her own.

For a man with all the time in the world–it seems to be running out–fast!

Dangerous Ways is available in ebook, paperback, and hardcover formats.

Let’s talk to R.R.!

What was your inspiration behind writing the Grave Report series and Dangerous Ways?

The Grave Report was initially a CIA thriller series in the vein of Burn Notice/the Bourne books meets Memento. Originally, the urban fantasy series was going another route with another name all too close for comfort to another one. Eventually, something happened and the previous (urban fantasy) thriller was scraped and the two merged, with me needing to move over the character’s name and restart my plot. Eventually, the idea of Vincent Graves starting in a grave from the CIA plotline… needed a more paranormal reason. 😉 From there, well, you know it goes and has gone on to do.

The Books of Winter: Dangerous Ways came as… a dream and desire to expand on my urban fantasy universe in a way that Vincent Graves and his time constraints don’t allow for.

You’re one of my favorite urban fantasy authors. What draws you to that particular genre, and – specifically in terms of the Grave Report series – what made you combine that genre with elements of other genres, such as mysteries?

I’m a mythology buff. Have been since… ever. I love the idea of creating and toying with mythos in an urban setting. The genre allows me to make and play with the everyday — the mundane and make it fantastical. It’s a fun ride. The idea you can look out the window and wonder what happens if there are monsters and magic lurking out there — today?!

When reading your work, I find myself having a lot of the same experiences I have when watching episodes of Buffy the Vampire Slayer. Not just because of the monsters and demons, but also because you have this uncanny ability to juggle the melodramatic and the whimsical. You strike that balance better than most. Where does that ability come from?

I think it comes from just that. I grew up watching Buffy, Firefly, reading Spider-Man comics and things of the sort. Spider-Man is a character with unending life pressure, horrors, and more. Yet he still cracks jokes and lightens the mood when he can. It’s about being a person. Sometimes, a lot of the times, life is and can be hard. It doesn’t hurt to crack a smile and make others do the same, even in the darkest of moments.

Character vs. plot: the seemingly endless debate over which is more important for a good story. Which side of that debate do you fall on, and how do you approach character when your protagonist’s identity changes from one book to the next?

I normally do have a very loose plot in mind; I’m a pantser, no outlines. But, but, I allow for my characters to lead the story within reason. So far, none have run so far away that I couldn’t save it. Mostly it’s gentle nudging if Vincent and the cast decide to break off the path. But I believe in the letting the characters (people) grow and dictate the story. It’s worked for me so far.

Are you a heavy plotter, or do you just let the story take you where it will?

The most I ever have for a novel is: Book one, Vincent Graves has 13 hours to so and so. Will he do the thing before something bad happens?! (Add in random thoughts as I have them. This is the monster of the week. This is the meta plot advancing stuff. Few scenes I have and I like.)

So far, the formula has worked and led to one award win, one of the largest possible award nominations for an author (the Dragon Award at DragonCon), and I’m selling fine. If it ain’t broke… you know the rest.

You’ve said that Dangerous Ways takes place in the same universe as the Grave Report books, yet it’s still its own entity. What are your plans for this fictional universe going forward? How many other Grave Report books are you planning to write?

Yup. Dangerous Ways is the first in The Books of Winter. They’re larger, more on the scale of epic, urban fantasies set in the same universe. The plan for that series is four to five larger books. The Grave Report books are a tad smaller and faster paced, as they’re paranormal investigator thrillers. I’m aiming for, and have slated in my head, around 20 – not counting standalones and novellas/short stories.

These two, by the way, are at this moment the first of eight or more series in this expanded urban fantasy universe. 😉

You’re almost as famous for your inspiration and positivity toward other authors as you are for your own writing. How important is it for you to lift up other aspiring authors, and do you see it as paying it forward in a sense, given how much support you have among the indie writing community?

I think that’s the most important thing I can do, even more so than writing advice/technique itself. That comes with time and practice to all. But, if you lose motivation, if you give up… it’s over. I want to keep people writing because it’s the only reason I’ve gone on to do the things I’ve done. Without the uplifting and motivational things to come my way, I’d have quit long ago and never have gotten the chance to experience the crazy triumphs I’m enjoying now. And I’m still growing, so there’s more to come I believe.

What are some of your favorite books?

Neverwhere by Neil Gaiman. The Alchemist by Paulo Coelho. The Dresden Files by Jim Butcher. Robert Jordan’s The Wheel of Time books. The Chronicles of Siala by Russian author Alexey Pehov.

Thank you for having me and your work too (if you haven’t checked it out, readers, do so) is wonderful and rather unique!

(J.D.’s note: Thank you for that!)

Now, to recap… my reviews of both Grave Beginnings and Grave Measures, the first two novels in the Grave Report series (which are also now available in hardcover!).

 Grave Beginnings

Grave BeginningsI hardly ever breeze through books anymore. That’s not an indictment of the quality of the books I read, but between a full-time job, writing/editing three manuscripts at once, and several other interests, it takes a bit to hold my interest and focus enough to actually tackle something on my TBR list.

But Grave Beginnings sucked me in immediately, and I found myself reading one of the best, most interesting murder mysteries I’ve read in a long, long time. R.R. Virdi has created a fantastic world and — perhaps more impressively — a protagonist that has no solid identity, yet is easy to root for. I’ve read my share of novels written in first-person that don’t quite measure up, but the first-person narrative is perfect for this book; the nature of the protagonist allows for narrative freedom in first-person that likely would not be present if this were a third-person book.

The marriage of murder mystery and supernatural works far better than it might seem in theory, and the result is a fast-paced, irreverent read. The cast of characters is relatively small, as the book focuses more on moving things along and less on making sure we keep track of all the particulars. In the mystery genre, it is far too easy for a case to either be wrapped up too quickly or to drag on too long, but the case in Grave Beginnings doesn’t suffer from that, and the conclusion of the case itself was satisfying like an old-school episode of Buffy.

(Aside: it occurs to me that, technically, every episode of Buffy can be considered old school nowadays. Yeah, I feel old…)

The best part to me, though, was the teeth the end of the novel provided the character. It was a clear direction moving forward for the series, and it has me looking forward to the next installment. I read the Kindle version of this novel, but now that a paperback edition is available, I’ll be adding that to my collection in the near future.

Long and short of it, Grave Beginnings is one of the best books I’ve read in a long time, and I wholeheartedly recommend it for fans of mysteries, supernatural stories, both, or neither. This is simply a fantastic book.

Rating: *****

Grave Measures

Grave MeasuresOne of the reasons I loved Buffy the Vampire Slayer (the TV show, not the movie) so much was the seamless way in which the tone constantly shifted. From tense to humorous to heartbreaking and back again, Buffy managed to weave all of life’s great and terrible emotions into a fantastic tale that still felt personal.

R.R. Virdi clearly has that same ability. Grave Measures, the follow-up to the fantastic Grave Beginnings, does the same thing. The stakes feel higher this time, even if Vincent Graves finds himself confined to an insane asylum, tracking down something that’s killing patients. Much like the first book, Grave Measures is whimsical, hard-hitting, intense, and emotional… and every bit the page-turning romp Beginnings was.

One need not to have read the first book to follow along with Measures, but those who have will be rewarded. The return of Camilla Ortiz was a pleasant surprise, and she has quickly made herself a personal favorite — even as great as Vincent Graves himself is.

There are no overly shocking revelations in this book, but a novel doesn’t need to be shocking to be a quality read. There are plenty of breadcrumbs sprinkled along the way, fodder for future novels in the series, and I’m looking forward to seeing how everything unravels going forward.

Virdi is a master at ensuring Graves has a voice all his own — easy enough to do in the first-person narrative with a protagonist with no true identity. Still, Graves has a depth all his own, even with the snark and the one-liners, and his personal code — which has evolved over the course of the first two books — makes him more of a hero than I think he’d admit to.

If you loved Grave Beginnings, you’ll love Grave Measures just as much. Even if you didn’t, Virdi has created a fantastic universe full of rich, interesting characters who are easy to root for. This is sort of Columbo meets Constantine, with a little bit of Buffy sprinkled in for effect… and the result is one of the best books I’ve read this year.

Seriously, read this book.

Rating: *****

In addition to the Grave Report books and Dangerous Ways, Virdi has his work featured in three anthologies: The Longest Night Watch: A Charity Anthology for Alzheimer’s DiseaseThe Longest Night Watch, Volume 2: A Charity Anthology for the Alzheimer’s Association, and Stardust, Always: A Charity Anthology for Cancer Research (in memory of David Bowie and Alan Rickman). In supporting these anthologies, you’re not only reading some fantastic work, you’re helping out some worthwhile causes.

Follow Virdi on his (shiny redesigned) website, Amazon, Facebook, and Twitter.

AUTHOR SPOTLIGHT: Mary Head

Time now for another Author Spotlight! Today, we feature romance and thriller author Mary Head, just in time for the release of her new book, No Safe PlaceNo Safe Place is a thriller, selected for publication through the Kindle Scout program.

Head now has two novels out, including the romance The Only One.

Before highlighting each book, let’s hear from the author herself.

What was your inspiration behind writing No Safe Place?

The simple answer is that I wanted to see Gary Oldman and Dianna Agron play father and daughter in something (they are still my ideal David and Hannah, though I know that if this book is ever made into a movie, they’ll both be too old to play these characters).

The longer answer is that father/daughter dynamics are some of my favorites to write, particularly a single father who will do anything to protect his daughter. I also love a good “damsel-in-distress” story, but I also wanted to sort of eschew a lot of the clichés that are inherent to this type of story. I wanted to write a woman who was forced into this terrible situation, but used her intelligence and her own strength to fight against it as best she could. I wanted to write a father who was desperate to find his daughter, who was a deeply good man, but also deeply flawed, and the way all of these characteristics clashed. I wanted villains who weren’t black-and-white, but surrounded by shades of gray, and I wanted supporting characters who felt just as important as the main ones.

Mostly, I wanted this story to feel real, and for the characters to be relatable.

A lot of writers will hover around one genre in particular and not stray that far from what works for them. You, meanwhile, pivoted right from romance (with your debut novel The Only One) to a thriller with No Safe Place. Are you conscious of genre when you’re writing, or do you just write stories that speak to you in the moment?

I definitely write whatever speaks to me. As an enthusiastic consumer of movies and books and TV shows, I am definitely a fan of a very wide array of genres. I enjoy playing in a variety of sandboxes, and I don’t try to limit myself whenever a new idea strikes. The two genres I’ve written for – romance and a kidnapping thriller – are two of my favorites, but I also enjoy taking my favorite genres and turning the common tropes within them on their heads.

No Safe Place was published through the Kindle Scout program. What was that experience like, and what advice would you have for anyone else thinking of giving that program a try?

The experience was stressful and nerve-wracking, to say the least, but ultimately for me, very rewarding.

I would definitely encourage everyone to give it a shot, but my biggest piece of advice is: don’t expect to get selected. From what I’ve heard from other people involved in the program, only about 2-5% of books submitted are actually selected for publication, so, to quote a popular dystopian YA series, the odds are not in your favor.

However, don’t let that stop you from submitting. Even if you don’t get chosen, you have exposure, which is always very important. You have the people who nominated your book, most of whom will actually want to read it no matter what your campaign outcome is, so you have an audience ready and waiting. Self-publishing through KDP is very simple and quick, and you have the option to have Kindle Scout send out an email to everyone who nominated your book to let them know that it’s available to buy.

I would also recommend joining kboards (http://www.kboards.com/) which is a forum for Kindle users, and specifically has a forum for writers with a thread for Kindle Scout. The members there are incredibly supportive, and you’ll have people to share the experience with. It’s also a great learning tool for anybody interested in self-publishing.

Character vs. plot: the seemingly endless debate over which is more important for a good story. Based on reading both The Only One and No Safe Place, is it safe to assume you sit firmly on the character side?

I would say yes, but really, I think characters and plot are intertwined. A great plot can be boring if the characters aren’t any good, but great characters don’t have anything to do if your plot isn’t interesting. For me personally, my characters definitely come first, and it’s usually their feelings and motivations that help shape the plot from a basic “girl meets boy” or “father searches for his kidnapped daughter” story to something compelling that people will want to read.

Funnily enough, I initially envisioned No Safe Place as having a lot more action than it does, but the characters eventually won out, and it became a much more character-driven story. So while I am definitely on the side of characters being important, to the point where I usually spend more time developing them than the actual plot of the story, I think both characters and plot are vital to what makes a good story.

Are you a heavy plotter, or do you just let the story take you where it will?

I would say I’m a combination of both. I tend to make outlines for my stories, and plot out the major points, but the journey from one plot point to another isn’t as heavily planned. As I mentioned before, I like to let my characters guide the plot, so how they get from point A to point B is usually up in the air, guided by vague ideas that can always change.

You’ve written a romance and a thriller to this point. What’s next?

Up next is the follow-up to No Safe Place called Finding Home Again, which will continue to follow Hannah’s story as she tries to put her life back together post-kidnapping. It was important to me to continue her story and show her healing process, as too often in media the aftermath of these types of traumatic events is never touched upon, and I want to show that things don’t always go back to normal after the story “ends.”

After Finding Home Again, I’ll be shifting genres again to supernatural romance with Crimson Hollow, which is essentially a vampire story, but with what I hope is a fun and interesting take on it.

What are some of your favorite books?

I’ve been catching up on the Pendergast series by Douglas Preston and Lincoln Child lately. I’ve been a fan of this series, and the character Aloysius Pendergast, for years, and I highly recommend the series to everyone. They’re crime novels (Pendergast is an FBI agent who has a special interest in unusual murders, usually of the serial variety) with a supernatural, sometimes mystical, current that runs through them, and they’re incredibly riveting books; all too often I find myself staying up into the wee hours of the morning to finish each new book.

My all-time favorite standalone book has to be IT by Stephen King. To save the long drawn-out explanation of why I love it so much (because I could honestly talk about it forever), I’ll just link to my blog post about it.

I’m also a fan of several popular YA series, including Harry Potter by J.K. Rowling, His Dark Materials by Philip Pullman, The Hunger Games by Suzanne Collins, and A Series of Unfortunate Events by Lemony Snicket.

And I would be remiss if I didn’t mention how much I’ve enjoyed the Jill Andersen series, written by the owner of this very blog. Highly enjoyable reads, and I recommend them to anybody who’s into badass female superheroes. (Editor’s Note: I did not pay her to say this!)

 

Now for the reviews!

The Only One

too-coverI suppose a disclaimer is in order here: I’m not generally a fan of romance novels.

They’re just not my thing.

However, The Only One is the exception, because in her debut novel, Mary Head has made the characters relatable and easy to root for. As romance novels go, TOO is a quick read — don’t let the size of the paperback fool you. The chapters are short, the pacing is excellent, and before you know it, you’ll be almost as invested in Richard and Piper’s relationship as they are.

The author also makes each of the supporting characters easy to identify with, and they add to the overall fabric of the narrative. Richard and Piper do not exist in a vacuum, and it’s nice to see that while the story is clearly about them, everyone else is given a chance to breathe and find their voice. Jill, in particular, was a personal favorite.

Another of this book’s many strengths is its representation. While it is, at its heart, the story of a heterosexual relationship between two white people, the overall cast is more diverse than a lot of books. In addition, the relationship itself between Richard and Piper defies certain societal expectations in low-key, blink-and-you-might-miss-them ways. In my mind, these attributes really add to the story.

Long and short of it, if you’re a fan of the genre, The Only Oneis highly recommended. Even if you’re not, this is still a well-written book that tells an entertaining story.

Rating: *****

No Safe Place

no-safe-placeNo Safe Place is night and day from The Only One, Mary Head’s debut novel.

Whereas one was a romance that bucked many of that genre’s conventions, No Safe Place is a fast-paced thriller in which graduate student Hannah Cole is taken from her own home — leaving her FBI agent father David and his team to put the pieces together in a race against the clock.

One of this book’s chief strengths is its ability to get us to care about Hannah and David without spending too much time on their relationship. Far too many books spend so much time establishing relationships and timelines that by the time the action gets going, readers have already checked out. No Safe Place does not suffer from this; Head does a masterful job of establishing the particulars, getting us to to care about the principal players, while still managing to get the story moving along.

But Hannah is no damsel in distress; she’s fiercely intelligent and — being the daughter of an FBI agent — she’s capable of taking care of herself and has no qualms about doing so. That in and of itself turns the damsel-in-distress trope on its head and is enough reason to give this book a read.

Along the way, Head treats us to heroes whose flaws are readily apparent and villains who are perhaps a bit more sympathetic than we’re comfortable with. These characters are fleshed out and deep without spending time and space on fluff, allowing readers to take part in a journey that perhaps goes by a little quicker than expected.

A sequel is in the offing, but this book doesn’t end on a cliffhanger. The preeminent plot if wrapped up in a sufficiently satisfying manner, with each bread crumbs left over going forward. And, in Head’s continuing tradition of upsetting established tropes, this universes focuses less on Hannah’s abduction itself and more on the emotional ramifications of it — both during and after.

No Safe Place is a thriller with heart — and a tremendous read.

Rating: *****

Head’s work is available on Amazon. You can also follow her on Twitter and on Goodreads.

AUTHOR SPOTLIGHT: C.A. King

Greetings!

Today marks the beginning of a new feature on this website: author spotlights, in which I shine the proverbial light on an indie author whose work I enjoy. These will be periodic updates, with no real schedule — pretty much whenever the mood strikes (or when an author I love is getting ready to release a new book).

Our first author? Fantasy scribe C.A. King, author of The Portal Prophecies series!

First let’s hear from the author:

What was your inspiration for writing The Portal Prophecies?

Depression. After experiencing great loss in my life, I found that I needed something therapeutic. I created worlds in my mind – places I wanted to visit. Soon, I learnt writing down those stories was the magic I needed to help me function better. Reading and writing have become important tools for me on my road to recovery.

If I have a bad day and close my eyes, I can travel to a world where things are just a little brighter and get lost there for a while. I want to share that with my readers. When they need to forget about the present, even for a few minutes, I want them to be able to grab one of my books and smile again.

The Portal Prophecies draws heavily from some time-honored traditions and well-known mystical legends. What went into including those in your stories?

Through the years, I have heard it said countless times that there are three sides to every story: what I believe; what someone else believes; and what really happened. If I break that down, then someone else part means, technically, there is a different interpretation for every single person who has read or heard the story in question. Some, of course, are bound to overlap – but others are unique and at the same time still very plausible.

As an author, it is my job to step outside my comfort zone and look at things as if I was seeing and hearing them for the first time. That is exactly what I do. The fantasy and sci-fi genres allow me to add a bit of the unexplained into the mix.

The Portal Prophecies appeared to draw from several other prominent fantasy series – Harry Potter chief among them. What other fantasy influences did you draw from in writing this series?

This is only the second time someone has made a reference to Harry Potter while discussing The Portal Prophecies with me. I personally don’t see the connection. There are many stories that involve wands and magic, and only one book (Sleeping Sands) takes place in a school.

There are, however, a few Easter Egg references to famous scenes in works of literature which readers may or may not catch. These are meant as a tribute of sorts to other authors as well as offering a bit of fun. I want people to say “I see what she did there.”

The following are a few Easter Egg examples from A Halloween’s Curse:

Willow was enticed by the smooth plain texture of the wood in her hands. She was drawn to it, but expected something more … maybe an aura to explode from it illuminating her face and making the choice obvious.

And my favourite;

Up ahead, there were tall gates leading into a city.

“I expected something shinier,” Lilabeth whispered.

“You watch too many movies.” The driver remained silent the whole way, but listened to everything that was said. “Probably thought it would be made of gold or diamonds? Maybe glass or emeralds? Tell me, what other than to make a good story, would be the point? I think you will find that the folks around here would rather use precious metals and gem stones for more practical uses, like magic. Tales made for the terunji have to be dressed up, to keep their attention and grab their imagination. Their subconscious yearns for them to accept what they can’t explain.”

It doesn’t actually end there. If readers follow my social media, they can find a few other surprises. For instance: I was on a diet on a Pancake Tuesday, so I created a scene in Deadly Perceptions where my characters are eating pancakes. They ended up with the fictional calories instead of me.

Finding Balance put a nice bow on Willow’s journey, while still leaving some threads open. What are your plans for that universe going forward?

This is an exciting time for my books. The main group of characters have grown up quite a bit in The Portal Prophecies. Their lives are changing and they have new challenges to face.

Jade has always been one of my personal favourite characters to write. It was only fitting that she carry on in her own series. The first book in the Surviving the Sins series sees an undeniable transition from Willow as main character to Jade. The main theme of these new books revolves around the seven deadly sins, putting a heavy emphasis on vampires. Surviving the Sins: Answering the Call is set for a winter 2017 release.

Shattering the Effect of Time follows the Shinning brothers as they set out to find a cure for their sister. This is really a different theme for me, as the main antagonist is time itself. I’ll be taking an intense look into the lore for some well-known items relating to time, including the Fountain of Youth; the Cinamani Stone; the Holy Grail; and Ambrosia. I’m really excited that Pandora is going along for the journey. She is such a fun character and sure to add some extra excitement along the way.

Are you a heavy plotter, or do you just let the story take you where it will?

I am both. The main difference for me is that the heavy plotting is done while I daydream. I don’t write things down, or scribble on napkins. Some of the smaller twists add in as I go along.

You recently released Tomoiya’s Story. What are the plans for that universe going forward?

Escape to Darkness sets the lore for the series going forward. Woden’s legacy will live on in more ways than even he could have anticipated. Things have changed in the dark side of the universe and Tomoiya is about to find out that her tears aren’t the only thing about her that is considered valuable.

While Escape to Darkness concentrated on characters and backstory, it wasn’t meant to be a heavy detail book. Readers can expect a lot more world building in Stalked and the rest of the series.

What are some of your favorite books?

This is a hard question to answer, there are so many. If I have to name a few: Treasure Island; The Lion the Witch and the Wardrobe; One Fish, Two Fish, Red Fish, Blue Fish;  and the Lord of the Rings trilogy.

I am going to toot the indie pride horn. These past two years, I have met and read the works of so many fantastic authors – authors who deserve to be discovered. I wish I could name them all, but I’d be here a long time. Instead, I am picking one book, Barely Awake by D.R. Perry, as one of my newfound favourites — and adding I hope readers take a chance on an undiscovered indie author – they may find their new favourite book.

 

Now, my reviews of King’s already-published works.

The Portal Prophecies: A Keeper’s Destiny

A Keeper’s Destia-keepers-destinyny is a YA coming-of-age tale that buries itself firmly in several different lores and fantasies — some well-known and others not so much. The result is a solid introduction to an ongoing series that promises to be more intense with each passing volume.

Early on, we meet Willow — a seemingly ordinary girl who grows fruits and vegetables in her home world. But as a rival character makes a selfish choice in an effort to “put Willow in her place,” it sets off a chain of events that see Willow discover realities she never once considered and find herself staring at an unfamiliar, uncomfortable world.

But along the way, one of her newfound friends is in trouble, kicking off a chain of events that will unfurl as the series continues. At the center of it all is Willow — an unassuming, selfless person who is suddenly faced with more than she can probably handle.

To me, characters are what make books. We can wax poetic about style and plot structure and narrative all we want (and those things are certainly important), but if I’m not emotionally invested in the characters, the rest doesn’t matter. Get me to care about the characters, and I’m along for the ride — warts be damned.

There are warts — specifically, writing that occasionally feels stilted and ordinary — but King’s ability to get you to sympathize with and relate to Willow makes up for that. For the occasional slow passage or dry paragraph, you’re watching a girl grow into a capable young woman, and that journey — more than anything — is what makes A Keeper’s Destiny worth your time.

This is the start of a journey — both for Willow and for those of us fortunate to tag along.

Rating: ****

The Portal Prophecies: A Halloween’s Curse

a-halloweens-curseA follow-up to A Keeper’s Destiny, A Halloween’s Curse is a strong follow-up that raises the stakes beyond a simple coming-of-age tale.

Make no mistake; Willow sees tremendous growth throughout A Halloween’s Curse, but the focus is less on her and more about the mission she and her friends have to undertake. Along the way, we’re shown that things run far deeper than previously thought, and the nuggets of behind-the-scenes machinations give this book a depth that I feel A Keeper’s Destiny lacked.

The addition of Halloween as a backdrop enriches the story even further, and it shows the world in a much deeper light. I like the inclusion of Halloween to the overall narrative, and it’s not just a backdrop; it actually affects the characters as they work to rescue their friend. This is not the last time C.A. King will imbue one of her books with a holiday tradition, either.

Some of the issues that plagued A Keeper’s Destiny are present in this book as well, but they aren’t as numerous and this is a cleaner, tighter story than its predecessor. King is building a rich, vibrant universe, and while some of the minor characters are a bit one-dimensional at this point, Willow herself shines as a protagonist should.

All in all, this is a fantastic follow-up, and a wonderful addition to what is shaping up to be a great series.

Rating: ****

The Portal Prophecies: Frost Bitten

frost-bittenFrost Bitten is the strongest of the Portal Prophecies series to this point, because it is the most intense and action-packed entry in the series so far. The stakes are higher, the emotional beats resonate more, and for the first time, a deep sense of foreboding hangs over everything.

Whereas the second book in the series focused on Halloween,Frost Bitten has a Christmas-y feel to it — quite literally so. It’s a much-needed does of levity and lightheartedness, because much of this book is darker than the previous two entries. The depth of King Cornelius’ depravity is on full display, and for the first time, things truly seem… not hopeless, necessarily, but this is the first time I’ve truly feared for Willow’s safety.

To say nothing of her emotional state. The events of Frost Bitten threaten to break her unlike anything else to this point, and that emotional depth serves both her character and the overall narrative well.

Few of the issues evident in the first two books are in this one; C.A. King’s growth as a storyteller is on full display inFrost Bitten, and the result is a fantastic, intense, easy-to-read addition to what has already been a fascinating series.

Business is definitely picking up here.

Rating: *****

The Portal Prophecies: Sleeping Sands

sleeping-sandsSleeping Sands had a Harry Potter feel to it… not the latter, darker editions of the series, but the earlier installments, where the characters were younger and the tone wasn’t quite so doom-and-gloom.

Make no mistake: the stakes are high in Sleeping Sands, the fourth installment of C.A. King’s Portal Prophecies series. Willow is separated from her friends — who might not be her friends — and she finds herself with a new group of friends — who, again, might not be her friends.

Or maybe they are. Who knows? Willow certainly doesn’t.

But even with the change in surroundings, Willow still manages to learn about herself and the world surrounding her, even as she has to watch out for a rival student, a suspect journalist, and the ever-evolving machinations of King Cornelius. The chess pieces are more numerous than ever now, and King is showing an ability to juggle multiple storylines at once, even finding a way to tie them all together without leaving the reader confused or overwhelmed.

A lot of writers can struggle in that regard, but King is showing it’s a strength of hers.

Much like Frost Bitten, Sleeping Sands shows this series finding its footing and its identity. It really feels like the first two installments were all about King discovering her voice and that of her characters, and now that those have been sussed out, the stories and the characters are truly allowed to shine.

This series keeps getting better, and Sleeping Sands is right up there with Frost Bitten as my favorite of the series thus far.

Rating: *****

The Portal Prophecies: Deadly Perceptions

deadly-perceptionsIf the previous four installments of The Portal Prophecies were about setting the proverbial table, then Deadly Perceptions is the magic trick in which the tablecloth is ripped out from underneath.

This installment picks up right where Sleeping Sands left off, and it appears the surprise the good mayor had been hiding is the least of everyone’s concerns. Willow again finds herself separated from those closest to her, but instead of being hesitant and emotional about that, she’s more certain of herself this time, more sure of what needs to be done.

Character development: C.A. King does it right.

Along the way, Willow comes across unicorns and dragons and tiny fairy creatures… not all of whom are friendly, and it might not be who you think. The elves wind up being far more important than we were led to believe in Sleeping Sands, though it does explain some of their behavior in the previous volume.

Again, King shows a deft touch when juggling multiple storylines. As it turns out, King Cornelius is the least of everyone’s problems… and Willow discovers something about herself that could prove far more overwhelming than anything she’s faced to this point. King again borrows from well-known supernatural lore, and the result is an entertaining read that sets up the climactic Finding Balance.

While this one didn’t quite draw me in the way Frost Bittenand Sleeping Sands did, Deadly Perceptions is a fantastic entry in the series. It pulls back the curtain ever so slightly, with the promise that the curtain will be ripped from the rod by the time the final book in the series comes around.

King has created a lovely, vibrant universe with her mixture of familiar faces and interesting twists, and the result is a fictional world in which one can easily lose track of everything in the real world. This is another worthy edition in the series.

Rating: ****

The Portal Prophecies: Finding Balance

finding-balanceOver the course of six books, Willow has grown from unassuming teenager to probably one of the most powerful individuals in the universe. Which explains why just about everything that has happened leading up to Finding Balance, the conclusion of The Portal Prophecies series, revolves around her.

The intensity of Deadly Perceptions is ratcheted up even more in this book — as well it should, since this is the climactic conclusion. King Cornelius’ treachery, Cornost’s plans,what exactly happens when Willow is finally reunited with her allies from the earlier books… everything is tied up in a neat little bow in Finding Balance.

That’s not to say there aren’t threads left over for potential future books, but Finding Balance wraps up Willow’s journey with a finality that is often hard to achieve without resorting to drastic permanent measures. While I can appreciate, as a storyteller, the value of an unhappy ending, it’s still nice to see happy endings on occasion.

Anything less wouldn’t have been true to the series.

After all — for all of the treachery and danger and doom The Portal Prophecies subjected Willow and us readers to, this was never the doom-and-gloom, nothing’s-going-to-be-alright kind of series. There was always an underlying optimism in each book, the feeling that — as bad as things might be in the moment — they will be alright.

I’m glad the ending reflected that.

The only thing keeping Finding Balance from a five-star rating? The climactic battle comes a little too soon, leaving an ending that sort of meanders through wrapping up ancillary plot points. But that’s a minor quibble for what is a fantastic ending to a terrific fantasy series.

Finding Balance was the ending The Portal Prophecies, and it was a fitting end to the amazing journey C.A. King took us on.

Rating: ****

Tomoiya’s Story: Escape to Darkness

tomoiyas-storyTake everything you think you know about vampires and throw it out.

It’s not that you’re wrong when picking up Tomoiya’s Story: Escape to Darkness, the first installment in a new series from C.A. King. But this short tale will show you how vampires came to be what we know them to be today (you know, unless you subscribe to the sparkle-in-sunlight-and-stalk-taciturn-high-school-girls theory).

Though the book is names for a young girl named Tomoiya, she is secondary to this tale, a prequel of sorts. She is told a fairy tale of sorts, one that ultimately reveals how vampires came to be. It is a tale of betrayal, heartbreak, depravity, and insanity, and it is the sort of tale that will have you flying through the pages.

This is a fair bit darker than The Portal Prophecies, andTomoiya’s Story showcases all of the same skills King has displayed and refined in writing that series. I can’t wait to see where this tale goes next, and I highly recommend this for anyone who likes vampire stories or space travel.

Yes, those two go together. King just proved it with Tomoyia’s Story.

Rating: *****

All of C.A. King’s books are available on Amazon. Visit her author page.

You can find C.A. King on Goodreads, and visit her website here. She is also on Facebook and Twitter. In addition to being an author, King also writes a column for Books & Quill magazine.