A Hard Truth and a Paradox

Typically, the more you do something, the better you get at it.

Seems simple enough, right? Isn’t that what we teach the youngsters among us? Practice makes perfect? No one is good at something right out of the gate? You have to work at whatever craft you want in order to become good at it?

Well, it appears this does not apply to writing books.

I mean, one would think that after writing and publishing five novels (and a collection of short stories), I’d be pretty darn good at this. One would think the more I do it, the easier it becomes.

Uh… about that…

Writing is a fickle beast, and there doesn’t seem to be any rhyme or reason as to when it shows up. Actually, that’s not quite true… there are a few things that have come together to conspire against the act of putting words on the page (insert Russia joke here).

First of all, there’s that pesky thing called a day job. It’s great in a sense, because it pays me well enough that I can afford to invest in my writing. I can better afford such things as promotional services, cover artists, editors, conventions and the like. But it also drains me, the day-to-day hustle leaving me exhausted when I get home — so much so that writing, as enticing as it is during the work day, proves elusive after hours.

And yes, I realize that to some extent, that issue is my own lack of discipline. I readily admit I’m not as strong in that regard as I should be. I know as much as anyone that the real work of writing occurs when you don’t feel like writing. And yet, there are nights when I can’t bring myself to open that manuscript.

Even if I do open it? That blinking cursor just stares at me. Mocking.

The cursor hates me. I don’t know why.

It’s not like I’m bereft of ideas. I resorted to outlining in an attempt to (finally) finish Betrayed. I’m even fairly certain where to go with the next two Jill Andersen books, Bitter End and Big Apple. I’ve come up with several potential short story or novel ideas that are so outside of what I normally write that I’m excited to tackle them (I just… haven’t yet, though with one of them, that’s because it’s my NaNoWriMo project, and until the calendar reads November…).

I even had a short story I was writing for an upcoming anthology — from the same people who brought you Cracks in the Tapestry. But it derailed not even 4,000 words in, and I’ve yet to find a way to salvage it. That anthology might wind up happening without me.

Dec. 4 will mark two years since my last published novel. Two freaking years. For a guy who was once pumping out new releases every six months. What the hell? What happened? I thought this was supposed to get easier the more I did it, not soul-crushingly difficult.

I know part of the reason my sales are so bad is because I haven’t released anything lately. It’s generally accepted that consistent new content is the best way to get people to buy your stuff, and I have failed massively in that regard.

Maybe NaNoWriMo is the kick in the ass I need to get back in the game. But as it stands right now, I’m far better at daydreaming about writing than actually, you know, writing.

Please tell me I’m not the only one.


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About J.D. Cunegan
J.D. Cunegan is known for his unique writing style, a mixture of murder mystery and superhero epic that introduces the reader to his comic book-inspired storytelling and fast-paced prose. A 2006 graduate of Old Dominion University, Cunegan has an extensive background in journalism, a lengthy career in media relations, and a lifelong love for writing. Cunegan lives in Hampton, Virginia, and next to books and art, his big passion in life in auto racing. When not hunched in front of a keyboard, scratching a pencil over a piece of paper, or with his nose stuck in a book, Cunegan can probably be found at a race track or watching a race on TV.

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